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From master of bizarro fiction Carlton Mellick III, author of the international cult hits Satan Burger and Adolf in Wonderland, comes a dystopian nightmare of epic proportions.
"You must never leave the nursery. If you leave, you will certainly die."
Tick and Polly have never met their parents before. They live in the same house with them, they dream about them every night, they share the same flesh and blood, yet for some reason their parents have never found the time to visit them even once since they were born. Living in a dark corner of their parents' vast crumbling mansion, the children long for the day when they will finally be held in their mother's loving arms for the first time... But that day seems to never come. They worry their parents have long since forgotten about them.
When the machines that provide them with food and water stop functioning, the children are forced to venture out of the nursery to find their parents on their own. But the rest of the house is much larger and stranger than they ever could have imagined. The maze-like hallways are dark and seem to go on forever, deranged creatures lurk in every shadow, and the bodies of long-dead children litter the abandoned storerooms. Every minute out of the nursery is a constant battle for survival. And the deeper into the house they go, the more they must unravel the mysteries surrounding their past and the world they've grown up in, if they ever hope to meet the parents they've always longed to see.
Like a survival horror rendition of Flowers in the Attic, Carlton Mellick III's Quicksand House is his most gripping and sincere work to date.
- Sales Rank: #723121 in Books
- Brand: Brand: Eraserhead Press
- Published on: 2013-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .55" w x 5.51" l, .68 pounds
- Binding: Paperback
- 240 pages
- Used Book in Good Condition
From the Inside Flap
Praise for Quicksand House
"The quintessential bizarro novel, the one that should be handed to readers who are curious about that genre -- an equal measure of dystopian science-fiction, survival horror, comedy, and weirdness. And, like the best bizarro books, it also serves as a thoughtful examination and deconstruction -- this time of the nuclear family. Think Flowers in the Attic meets Escape From New York meets Alice in Wonderland meets Fallout 3." --Brian Keene, author of The Girl on the Glider
"Mellick's most emotional and moving novel to date. Packed with more wildly original concepts than you could find in the current top ten New York Times bestsellers put together. A heartfelt survival story that mixes pain, fear, and longing with childlike wonder, beauty, and affection. For those who have read Mellick before, the emotional depth of this story will be a wonderful surprise. For those who haven't, this is a great place to start." --Verbicide
"His best book yet, built solidly upon perfect classic story structure that simply happens to overflow with weird characters, settings, and events, as with all of Mellick's fiction. Quicksand House is apocalyptic and dystopian, yet thoughtfully nostalgic, positive, and even hopeful." --Midwest Book Review
From the Back Cover
Praise for Carlton Mellick III
"Easily the craziest, weirdest, strangest, funniest, most obscene writer in America." -- GOTHIC MAGAZINE
"Carlton is an acquired taste, but he hooks you like a drug." --HUNTER SHEA, author of Forest of Shadows
"The most original novelist working today? The most outrageous? The most unpredictable? These aren't easy superlatives to make; however, Carlton Mellick may well be all of those things, behind a canon of books that all irreverently depart from the form and concepts of traditional novels, and adventure the reader into a howling, dark fantasyland of the most bizarre, over-the-top, and mind-warping inventiveness." --EDWARD LEE, author of Header
"Carlton Mellick III is a genius with an insanely beautiful imagination." --JOE AUGUSTYN, writer of Night of the Demons
"Carlton Mellick III has the craziest book titles... and the kinkiest fans!" --CHRISTOPHER MOORE, author of The Stupidest Angel
"If you haven't read Mellick you're not nearly perverse enough for the twenty first century." --JACK KETCHUM, author of The Woman and The Girl Next Door
"Carlton Mellick III is one of bizarro fiction's most talented practitioners, a virtuoso of the surreal, science fictional tale." --CORY DOCTOROW, author of Little Brother
"Mellick's career is impressive because, despite the fact that he puts out a few books a year, he has managed to bring something new to the table every time... Every Mellick novel is packed with more wildly original concepts than you could find in the current top ten New York Times bestsellers put together." --VERBICIDE
"Mellick's guerrilla incursions combine total geekboy fandom and love with genuine, unbridled outsider madness. As such, it borders on genius, in the way only true outsider art can." --FANGORIA
"Bizarre, twisted, and emotionally raw--Carlton Mellick's fiction is the literary equivalent of putting your brain in a blender." --BRIAN KEENE, author of The Rising and Dead Sea
"I'm a huuuuge Bizarro fan. This new strain of cheerfully transgressive weird fiction is to me the most vibrant, exciting, genre-mangling scene in all of strange literature today. And no one holds dominion over this blossoming underground phenomenon like the godfather of Bizarro, Carlton Mellick III. With the most impressive sideburns in imaginative lit since Isaac Asimov, and a brain that squirts out more shamelessly playful originality in any given chapter than most artists will accomplish in their entire lives, he's the poster boy. The Elvis. As well he should be." --JOHN SKIPP, co-author of The Bridge
"It's not unusual to blow through a Mellick book in one sitting. They're fast-paced with an endless number of surprises, making it tough not to keep turning pages. When the end comes, I'm left with that done-too-soon feeling that I always love experiencing." --RAZORCAKE
"A wormhole of disturbing surrealism and absurd satire." --VICE MAGAZINE
"Carlton Mellick III exemplifies the intelligence and wit that lurks between its lurid covers. In a genre where crude titles are an art in themselves, Mellick is a true artist." --THE GUARDIAN
"His fiction blends bizarre scenarios mixed with horror, action, and even more bizarre actions to create fiction that toes the line between the absurd and the dark places of the mind... Shocking yet entertaining" --THE EXAMINER
"I imagine Mellick as a Willy Wonka-type character, someone with personal access to another world, a world of his own creation, but due to its mind-bending energy, he's lost control of it, and it continues to thrive even without him there to pull the strings. And I like the idea of that." --BOOKIE MONSTER
"The imp of the perverse." --3AM MAGAZINE
"Just as Pop had Andy Warhol and Dada Tristan Tzara, the Bizarro movement has its very own P. T. Barnum-type practitioner. He's the mutton-chopped author of such books as Electric Jesus Corpse and The Menstruating Mall, the illustrator, editor, and instructor of all things Bizarro, and his name is Carlton Mellick III." --DETAILS MAGAZINE
"Discussing Bizarro literature without mentioning Mellick is like discussing weird-ass muttonchopped authors without mentioning Mellick." --CRACKED.COM
Most helpful customer reviews
11 of 11 people found the following review helpful.
A tale of desperation
By S.T. Cartledge
One thing I love about Mellick's writing is that, while he's pioneered his own brand of weird and he pumps out new books on a quarterly basis, he remains remarkably diverse from one book to the next. I've read close to half of Mellick's back catalogue at the moment, and I'm gradually filling in the gaps. I love the stylish narrative experimentation in some of his earlier works (eg. Satan Burger, Fishy Fleshed, The Egg Man), but I believe he has settled for a more standard narrative style in the past few years. It is a style that very much plays to his strengths as a storyteller of bizarre, outlandish science fiction tales. This is most evident in Tumor Fruit and Cuddly Holocaust.
With Quicksand House, however, Mellick has taken one of his bizarre dystopian landscapes and crafted something unimaginably beautiful out of it. It is a gem. It is magical. This story is heartfelt and lonely. Courageous and sad. Tragically desperate.
It's a story of two children who grew up in a bubble. Not a real bubble. A metaphoric one. They have a set idea about what the world is in which they live, and it sounds so childish it can't be true. You read the story and go along with the children, venturing out into a strange, dark world they think they understand. They think they can figure it out. They think that maybe somehow, somewhere, their image of reality and the reality they are experiencing will merge and make some sort of sense. Even if it isn't an exact replica of how things could be.
It's a twisted quest narrative that is incredibly desperate. I love these kids. They are so brave and wonderful. Mellick has taken his storytelling to captivating new places. He's come a long way since Satan Burger. This book is a real stunner.
6 of 6 people found the following review helpful.
I'm sinking in Quicksand House as we speak!
By Jeremy
For those out there who think Bizarro is just about silliness, the bar has been raised. This story will shatter your heart, hopes and dreams as you read about Polly and Tick, children who have never known their parents, who have never seen the world outside of the nursery in their country-sized mansion. One day, when the Creepers destroy their every day way of life in the nursery, they go in search of the mother and father they've never known. What they find is that their parents have probably never known them either. This is a very special story that deserves to be read. Forget everything you thought you knew about Bizarro. It's about to break through!
6 of 6 people found the following review helpful.
Sinking in Quicksand
By Vincenzo Bilof
A lot of readers who are actually familiar with the bizarro genre think it may be nothing more than obscenity-laden work that uses toilet-humor and satire as a vehicle for metaphor. I will be the first to tell you that CM3 has written a tale that should be on the bookshelves of major bookstores across the country, and in libraries; this is a book that comes from the heart, and it's something every reader can relate to.
Tick and Polly embark on a quest to find their parents in their own house. No simpler statement has bigger implications for this tale's moving portrayal of a journey that the vast majority of people take during their lives. Their quest is not unlike our own to discover who we are through our parents, or who are parents are and what they truly want from us. Not many people understand their parents...
The personal statement in Quicksand House is delivered by a master storyteller who seems to know exactly when the reader is about to figure out something important about the mysterious setting, right before Tick and Polly learn it on their own. CM3 rewards his readers and takes them through the shadowy corners of a home that is slowly dying from neglect. There is plenty of depth and symbolism, and CM3 doesn't overburden the weighty ideas with heavy prose; in fact, there's a part of me that thinks this could be a great Young Adult book, and that's not meant to be an insult. This is the kind of book that can be enjoyed by anybody who has an appreciation for creativity and excellent storytelling.
The book is a page-turner; the intrigue and character development established a fast pace that caused a sense of dread to settle in my stomach; I wanted Tick and Polly to find exactly what they were looking for because they're innocent victims of a world that wants nothing to do with love or humanity. This book is a tear-jerker and a work of art. Read it. Now
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