Selasa, 18 September 2012

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Learning MIT App Inventor: A Hands-On Guide to Building Your Own Android Apps

  • Published on: 1900
  • Binding: Paperback

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Senin, 10 September 2012

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Out of the Blue: A History of Lightning: Science, Superstition, and Amazing Stories of Survival, by John Friedman

The odds of being hit by lightning each year are only about 1 in 750,000 in the U.S. And yet this rare phenomenon has inspired both fear and fascination for thousands of years. In this groundbreaking, brilliantly researched book, journalist John S. Friedman probes lightning’s scientific, spiritual, and cultural roots. Blending vibrant history with riveting first-hand accounts of those who have clashed with lightning and lived to tell about it, Out of the Blue charts an extraordinary journey across the ages that explores our awe and dread in the face of one of nature’s most fearsome spectacles.

Herman Melville called it “God’s burning finger.” The ancient Romans feared it as the wrath of God. Today we have a more scientific understanding, so why our eternal fascination with lightning? Out of the Blue attempts to understand this towering force of nature, exploring the changing perceptions of lightning from the earliest civilizations through Ben Franklin’s revolutionary experiments to the hair-raising adventures of storm chasers like David Hoadley, who’s been chronicling extreme weather for half a century. And Friedman describes one of the most treacherous rescues ever attempted in American mountain climbing.

Friedman profiles a Virginia ranger who was struck by lightning seven times—and dubbed the human lightning rod—along with scores of others who tell astonishing tales of rescue and survival. And he charts lightning’s profound, life-altering effects on the emotional and spiritual lives of its victims.

Combining captivating fact with thrilling personal stories, Out of the Blue tells a remarkable true tale of fate and coincidence, discovery and divine retribution, science and superstition. As entertaining as it is informative, it is a book for outdoor adventurers, sports enthusiasts, science and weather buffs, nature lovers, and anyone who has ever been awed or frightened by the sight of lightning.


From the Hardcover edition.

  • Sales Rank: #1755089 in eBooks
  • Published on: 2008-05-20
  • Released on: 2008-05-20
  • Format: Kindle eBook

Review
"When you see a TV meteorologist display a map of lightning strikes or see a picture of a lightning bolt, you are unwittingly being introduced to a new era in lightning research. Author John S. Friedman pans through time from ancient myths to scientists who are now delving through the mysteries which have surrounded this awesome and frightening subject. His greatest gift is painting a humanistic picture of a subject which has affected man since he began walking this earth."—Frank Field, TV weatherman

"Who would believe a book on lightning could be not only informative but fascinating reading? Friedman's Out of the Blue is both. He intersperses dozens of human-interest stories along with excellent research. Best of all, he writes as if he's sitting across the campfire and says, "Let me tell you about…"—Cecil Murphey, co-author of the New York Times bestseller, 90 Minutes in Heaven

“Intended for outdoor adventurers, sports enthusiasts, science and weather buffs, nature lovers and anyone who is awed or frightened by lightning…. Fascinating stories.”—Deseret Morning News


From the Hardcover edition.

About the Author
The Oscar-wining producer of the documentary Hotel Terminus, John S. Friedman has written for the New York Times and contributes regularly to The Nation. The editor of The Secret Histories, he lives in Sharon, Connecticut.

Excerpt. © Reprinted by permission. All rights reserved.
An Awesome Flame


Everybody's afraid of lightning. Maybe it's built into the genes. It's a primal fear.
—DR. MARTIN UMAN

Lightning descends upon the American landscape in fiery arcs across the Great Plains on lonely summer nights and in brilliant streaks over the Rocky Mountains on lazy afternoons. It's also embedded in our oldest myths.

The stars are the campfires of the dead, and when we die, the great Thunderbird, lightning flashing from its eyes, carries our souls to the Milky Way. According to another Native legend, the Sun, father of twin boys, gave them magic arrows—lightning that strikes crooked and lightning that strikes straight. One day, the twins heard rumbling like the sound of an earthquake. It was the wake of the giant Yeitso3, who had smelled their scent. "How shall I kill them?" the giant wondered. He fired four arrows at the boys, but they missed.

Then the boy named Born of Water shot his own arrow and hit Yeitso. And the boy named Monster Slayer shot his arrow and it killed the giant. Afterward, the twins slayed other monsters with their magical arrows, and they made a huge thunderstorm sweep across the land. When the storm ended, a place called the Grand Canyon existed where once other terrible creatures had lived.

Memories of the indiscriminate power and terrible fascination of lightning have remained with me since childhood. When I rode on horseback in the Sangre de Cristo Mountains in Northern New Mexico—the ancestral home of the Apaches, the Navajos, and the Pueblo Indians—thunderbolts flashed and crackled around me, and I feared I would never return home. The drama of the never-ending Southwestern sky and its storms—absent in the Northeast, where I have lived most of my life—shaped me in ways I am still exploring.

Ever since, I've wondered about the mysteries of lightning. What causes lightning, and what attracts and repels it? How can we protect against lightning, and when is it most dangerous? Why would one person walking in a field be struck and killed by lightning during a storm while his companion walks away unharmed? What happens physically to someone after being  struck?

In his great novel The Bridge of San Luis Rey, Thornton Wilder observes that most "occasions of human woe had never been quite fit for scientific examination. They had lacked what our good savants were later to call proper control." As he ponders the collapse of the Bridge of San Luis Rey, which killed several travelers in eighteenth-century Peru, Wilder's alter ego in the novel, Brother Juniper, collects "thousands of little facts and anecdotes and testimonies" to try to learn "why God had settled upon that person and upon that day for His demonstration of wisdom."

Lightning, too, was most often considered in earlier periods of history to be a pure act of God, beyond scientific explanation. Today, the discoveries of science and medicine have altered our perspectives far beyond Brother Juniper's imaginings.

Still, being struck inevitably raises existential questions about life and death, destiny and divine retribution. What did I do to deserve this? What should I do now? After all, when lightning strikes, there is no human cause. Believing that the testimony of survivors would yield the "thousands of little facts and anecdotes" underlying the human dimension of lightning, I set out on a journey to record their stories. Their accounts reveal a remarkable blend of willful choice and random coincidence, science and superstition. They tell of heroism, pain, hope, and sacrifice. Above all, they tell of their own inspiring spiritual changes.

At least forty-four people were killed by lightning in the United States in 2007. The reported number is lower than the actual number because some deaths due to lightning are not recorded as such. Lightning is the second-leading cause of fatalities in the U.S. related to violent weather. It causes more deaths than earthquakes, tornadoes, or hurricanes. Only floods kill more people. But unlike these other natural disasters, lightning strikes are small, private tragedies, reserved for the unlucky few.


***
Lightning set my underclothes on fire," Roy Sullivan told a rapt audience watching the 1980s TV show That's Incredible! "Now, if you say that's not hot, I'd like to know what hot is."

A longtime ranger in Shenandoah National Park in the Blue Ridge Mountains of Virginia, Sullivan was born in Greene County, Virginia, on February 7, 1912. He was first hit by lightning in 1942, standing in a park lookout tower. He was lucky. His only injury was the loss of a big toenail. A brawny man with a broad, rugged face, Sullivan, who resembled the actor Gene Hackman, was struck again in 1969 while driving along a mountain road. This time the lightning only singed his eyebrows. But a year later, the outdoorsman was walking across his yard when lightning struck again, searing his left shoulder.

The fourth strike occurred in 1972, while Sullivan was working in a ranger station in Shenandoah National Park. It set his hair on fire, and he had to grab a bucket of water and pour it over his head to extinguish the flames. "I can be standing in a crowd of people, but it'll hit me," he said at the time. "I'm just allergic to lightning."

In 1973, while he was out on patrol in the park, Sullivan saw a storm cloud forming and drove away quickly. But the cloud, he said later, seemed to be following him. When he finally thought he had outrun it, he decided it was safe to leave his truck, but again he was struck. "I actually saw the bolt that hit me," he said. The next strike, the sixth, came in 1974 while he was checking a campsite near the Skyline Drive and left him with an injured ankle.

Then one Saturday morning in 1977, when he was fishing in a freshwater pool, lightning struck Sullivan for the seventh time—hitting the top of his head and traveling down his right side. With his hair singed and burns on his chest and stomach, he hurried to his car. But still he kept his wits about him. He later told a reporter that as he stumbled back down the trail, a bear appeared and tried to steal three trout from his fishing line. But Sullivan had the strength and courage to strike the bear with a branch. He recalled that it was the twenty-second bear he had hit on the head during his lifetime.

Sullivan owns a place in the Guinness World Records, not for the number of times he's decked a bear but for the distinction of being struck by lightning more recorded times than any other human being. Some reports state that he was hit an eighth time in the early 1980s. "Naturally people avoided me," he once recalled. "For instance, I was walking with the chief ranger one day when lightning struck way off. The chief said, 'I'll see you later.' "

On the one hand, Sullivan seemed to attract lightning. (He was dubbed "the human lightning rod" by the media.) On the other hand, he appeared to have some natural physical defense against its effects—despite the number of times he was struck, he wasn't killed or even seriously injured. A member of the Shenandoah Heights Baptist Church, Sullivan had conflicting thoughts about his own fate. He believed that an unseen force was trying to destroy him, and he became convinced after the fourth strike that the next bolt would kill him. Still, he once told a reporter, "I don't believe God is after me. If He were, the first bolt would have been enough."

After supposedly being rejected by the woman he loved, or perhaps from the fear and dread of future strikes, Roy Sullivan shot and killed himself in 1983 at the age of seventy-one. He was living at the time in a town called Dooms.


***
Linda Cooper seems to have it all. She is happily married and lives in an upscale neighborhood of Spartanburg, South Carolina. She has three daughters and three grandchildren. She likes her job as a computer lab supervisor at the local elementary school and generally enjoys life.

And yet, she suffers. Linda Cooper has been hit by lightning four times in her life. No other woman, as far as is known, has been struck as many times. Men account for about four times more lightning fatalities and injuries than women, as men are more likely to engage in agriculture, construction, and recreational outdoor activities.

I am sitting on a bench with Linda Cooper in a hallway of the MainStay Suites in Pigeon Forge, Tennessee, where a conference for lightning survivors is taking place. She is wearing a tailored red jacket, a blue dress, and a silver necklace. She speaks with a slight Southern accent and is poised and attractive. Complimented that at fifty-seven she looks ten years younger than her age, she replies brightly, "Makeup and curlers do wonders."

Cooper was born in Atlanta in 1950 and grew up in Miami. She was first struck by lightning on September 15, 1983, which had been a typical September day in Ft. Lauderdale, Florida—dismal and gray. It had been raining on and off all morning, and just after one p.m. it started to sprinkle again.
Setting out on a round of errands, Cooper had parked her car in front of the Coral Ridge post office, where she was going to mail a package. When she stepped onto the sidewalk, "it was like a hand grenade going off in my face," she recalls. "All I remember is a blinding white light and the loudest sound I have ever heard or could ever imagine hearing."

The next thing she knew, she was standing up, brushing off her dress, and wondering why she was all wet. Confused and in shock, she walked into the post office. On her way in, she turned and saw a man in his car staring at her. "On his face was a look of horror." They never spoke and he drove away quickly. But to this day, Cooper wonders what he saw.

She went up to the counter to mail her package and told the clerk that she had just been hit by lightni...

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7 of 7 people found the following review helpful.
Lightning Strikes: The Human Side
By George Poirier
The author of this book makes a valiant attempt at covering the subject of lightning from most angles: the science, the history of thought about lightning, the superstitions, the damage caused and the effects (both physical and mental) on those who have been struck and have survived. The author has conducted interviews with scientists, physicians and several lightning strike survivors; in fact there is much more on the human side of lightning strikes than anything else. On the positive side, this book is written in a clear, friendly and very engaging way. It is a quick, pleasant and easy read. On the negative side, a few passages on the science contain errors, e.g., p. 103: "... the area of positively charged electrons on the ground ....".. However, the direct quotations from scientists seem accurate. Also, there is one entire chapter on tornado chasers where lightning is hardly mentioned; this chapter may have been more suitable for a book on tornados. Finally, three entire chapters are devoted to the detailed play-by-play rescue of a team of mountain climbers, some of whom were struck by lightning; a few pages, as in the case of the many other amazing survivor stories, would most likely have been sufficient. Notwithstanding these minor quibbles, this is an excellent, indeed thrilling, book that can be enjoyed by absolutely anyone.

0 of 0 people found the following review helpful.
A Comprehsnsive Study of Lightning, Especially the Human Aspects
By Jeffrey Beall
Based largely on interviews, this work is a comprehensive study of lightning's human aspects. Friedman, a journalist and documentary film producer, gathers the stories of lightning strike survivors, many of whom are religious and see a divine purpose in their survival. The book also summarizes lightning mythology and folklore, and it recounts the history of lightning science, beginning with Ben Franklin. There are only a few contemporary scientists who study lightning, and they still find some aspects of it puzzling. Much of the book recounts a 2003 helicopter rescue of a mountaineering party struck by lightning atop Wyoming's Grand Teton Mountain, a strike that killed one climber and severely injured several others. Survivors of lightning strikes often have mysterious, long-lasting symptoms that confuse doctors. An organization of lightning strike survivors now exists, and medical science is advancing research on lightning strike victims. Some storm chasers admit they find lightning the most fascinating and feared form of severe weather. Friedman's work is an excellent study of lightning for a popular audience.

3 of 4 people found the following review helpful.
Science, Folklore, and Personal Stories of Lightning
By Rob Hardy
There is something pointed about lightning that seems to show purposefulness. We have earthquakes, we have tornadoes, we have many other worrisome planetary characteristics, but lightning seems aimed, it seems to pick off individuals in ways that cry out for a reason such a thing ought to befall them. The pointedness of lightning is one of the themes running through _Out of the Blue - A History of Lightning: Science, Superstition, and Amazing Stories of Survival_ (Delacorte Press) by John S. Friedman. It has a more-or-less historic run of chapters dealing with how we have come to our current understanding of lightning as a natural rather than supernatural phenomenon, intercalated with the story of a dramatic rescue of climbers struck by lighting on a peak of the Teton Range and with many personal stories about what lightning has done to survivors. Don't call them victims. The Lightning Strike and Electric Shock Victims was founded in 1989, but changed those "Victims" to "Survivors", and the organization thrives with 1,500 members each of whom have insights no non-member will ever have. Friedman, a writer who made the Oscar-winning documentary _Hotel Terminus_ twenty years ago, has interviewed many of the survivors whose stories make up the most arresting part of the book.

Lightning not only seems aimed, it is fast, conducting its devastation literally before those it hits knew what hit them. The gods who use lightning in the stories are the ones quick to wrath. When Benjamin Franklin had invented the lightning rod, priests argued against it, saying that they were impious tools to thwart God's will. Though the folklore described here is amusing, the science of lightning is just as well described, although there are still large holes in our understanding. Forked lightning is the most familiar; it happens on Venus, Jupiter, and Saturn, too. On Earth, over a billion such flashes happen every year. An average flash is 25,000 feet long and one to six inches in diameter. It heats up the lightning channel to 50,000 degrees Fahrenheit, far hotter than the surface of the sun. Plenty live to tell about being hit by such bolts; such strikes are only fatal around 10% of the time. We think of lightning coming down and hitting one target, but it can jump around. In Colorado in 2004, lightning hit the clubs of a golfer who was with a group, but then it jumped from one person to another, resulting in injuries to the group of nineteen, no deaths. Tenacious golfers are at risk for lightning injury, leading to the safety slogan "Don't be lame! End the game!" Boy Scouts also seem to be at risk, and the organization has lost some huge lawsuits because it does not have a good safety record. The most peculiar stories here are of the people who get struck repeatedly; lightning not only does strike in the same place, it seems to prefer particular people. These "human lightning rods" are not always forest rangers or otherwise in locales at risk for lightning strikes, they just get hit more often. There may be a medical reason, something different in their body chemistry, but no one has a clue what it might be. As far as anyone knows, if you survive a lightning strike you are safe from future ones; no one who gets hit repeatedly has ever died from subsequent strikes.

Being struck by lightning has definite, but variable, physiological results. The common ideas that someone who is struck will burst into flames or will be instantaneously reduced to ashes are wrong. There can be burns because of the extreme heat, but there are often few external signs of a strike. Even more serious and puzzling are neurological symptoms like memory or attention problems. There are few doctors who ever get to see a lightning strike survivor, and so there are very few specialists. With the pointedness of lightning, it is not surprising that those who are struck and live take lessons from the experience. Over and over in interviews, they tell Friedman things like "God must have a plan for me", and many have had their personal faith increased. No one mentions why such a plan had to include a lightning strike, and it seems that the greatest inspiration that such victims have gotten is to work devotedly for The Lightning Strike and Electric Shock Survivors. The circularity doesn't seem to register; if lightning strikes were a force for human good, we would not need such organizations, nor would we need National Lightning Safety Awareness Week each June, which is sponsored jointly by organizations such as the National Oceanic and Atmospheric Administration (NOAA) , the Little League, and the PGA Golf Tour. Friedman's book is an appealing combination of meteorological and medical science, combined with the personal stories of those whom lightning has hit, and the gruesome stories of those who did not live to tell the stories themselves.

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Minggu, 02 September 2012

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Nationalism, by Peter Alter

Peter Alter traces the origins of modern nationalism and analyzes its highly varied manifestations over the last 200 years. He discusses the social basis and organizational structure of nationalist movements, the glorification of the nation-state, and the arguments put forward by supporters and opponents of nationalism.

  • Sales Rank: #1814806 in Books
  • Published on: 1994-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.90" h x .50" w x 9.10" l, .59 pounds
  • Binding: Paperback
  • 160 pages

Review

"A concise and rigorous introduction"--The Sunday Times


Language Notes
Text: English (translation)
Original Language: German

About the Author
Peter Alter, Deputy Director of the German Historical Institute, London and Professor of Modern History, University of Cologne.

Most helpful customer reviews

4 of 4 people found the following review helpful.
An exceptional primer
By Edward Bosnar
Out of all the books written about nations and nationalism in the past 20 or so years, this Alter's "Nationalism" has to be one of the best for use as a primary text or starting point. It is both concise and comprehensive in its analysis of the rise of nationalism as a political force first in Europe and then the rest of the world. The basic typology Alter uses is simple yet engenders a better understanding of the nationalism phenomenon. Alter's basic, and very plausible, thesis to explain nationalism's rise anywhere in the world is quite simple: generally some form of political, social or economic crisis (whether real or perceived) generally provides the impulse for peoples and their leaders to resort to and accept the particularly powerful political mythology offered by nationalism. Another very important aspect of this book is Alter's emphasis on the ease with which nationalism is merged with other political ideologies, left or right, radical or conservative, to create a very potent instrument for gaining and sustaining mass support by politicians, political parties and movements. His general conclusion is that nationalism is hardly a spent force, even if nation-states, usually the objective of nationalist movements, are beginning to be perceived as politically obsolete. In reading this book, one can see that nationalism may simply acquire different forms and different modes as the world economy and society become more globalized.

5 of 6 people found the following review helpful.
The basics on nationalism
By A Customer
Alters book provides a short but thorough introduction on nationalism. Alters book is especially interesting to students who are interested in 19th and 20th century poltical history.
Alter is a historian. His book deals -not surprising- with the history of nationalism. Strong emphasis is put on the differences between variants of nationalism that occured in (European) history during the last centuries. This makes the book rather encyclopedic. After having read the book it was clear what different types of nationalism there are, what nations are and how they use and need nationalism. But -like an encyclopedia- the book is rather dull to read. The reader may not miss a single line in order to keep up with the density of the information. And that is difficult if English is not your mother tongue.
I read Alters book because my university teacher of political science had put this book on the list of compulsory books. The good thing about the book is that it made clear what nationalism is. (by emphasizing on the differences between the various forms of it) The bad part is that it deals -for a too great part- with definitions.
Finally: Being a citizen of the Netherlands I would like to give a nationalistic comment on an inaccuracy in the book. The mother tongue of the Flemish (who live in the northern half of Belgium) is Flemish. The dictionary the Flemish use is the Dutch dictionary. Flemish is not, as Alter incorrectly states, considered a language. Flemish is a variant of Dutch. Who would argue that Austrians speak Austrian instead of German?
Apart from this little mistake, Alters book is factually correct. (That's what my professors and fellow students said at least) If you're studying Palmer and Colton's History of the World or a similar book, then Alters 150 pages on nationalism will provide you a deeper insight.

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Senin, 27 Agustus 2012

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Mosby's Medical Dictionary, 10e, by Mosby

Make sense of the complex world of health care with Mosby’s Medical Dictionary, 10th Edition! This one-stop reference includes detailed entries that help you communicate more effectively with colleagues in various disciplines. With over 56,000 definitions, 2,450 photographs and line drawings, and supporting reference appendixes and atlases, it is an indispensable reference for students and professionals alike.

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  • Sales Rank: #20299 in Books
  • Published on: 2016-05-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.20" h x 2.50" w x 7.70" l, .0 pounds
  • Binding: Hardcover
  • 2000 pages

Most helpful customer reviews

13 of 13 people found the following review helpful.
Awesome Dictionary!!
By Diana
I needed this dictionary for a simple coding class that I am taking, but am finding it very interesting and helpful as well in explaining the details of medical illnesses and diagnoses for complications that occur during operations, etc. I am very pleased with this book. The graphics are very intense, so if you have a sensitive stomach, I wouldn't suggest getting it, but I've been in the medical field for 20+ years, so am fascinated by it. Plus, what haven't you seen on TV already, right? LOL Good luck to those of you looking for for a dictionary, but if you want something detailed and structured, this is the book for you!

8 of 8 people found the following review helpful.
So Helpful!
By Sheva Weeks
I have used this resource even more than I expected to during my nursing school program. It is loaded with color pictures, and definitions are easy to understand. I highly recommend this medical dictionary to any health career professional or student, or any person trying to really understand what their doctor is telling them!

5 of 5 people found the following review helpful.
Wonderful read. Not just a dictionary.
By GinnyR
Discovered it in a previous version when I was a student. Just bought this version for the "love" of it and to have around the house to answer questions in useful detail. Superb color illustrations throughout. Thorough, readable text. This'll be a lifetime "keeper".

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Minggu, 26 Agustus 2012

[I139.Ebook] PDF Ebook Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

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Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

Manet's Modernism is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art.

"Beautifully produced. . . . [Fried's] thought is always stimulating, if not provocative. This is an important book, which all students of modernism, in the broadest sense, will find rewarding."--Virginia Quarterly Review

"An astonishing piece of scholarship that will cause readers to rethink their understanding of Manet's influence, ambition, and achievement."--Gary Michael, Bloomsbury Review

"An audaciously brilliant book, long awaited and as essential reading for philosophers as for art historians."--Wayne Andersen, Common Knowledge

"Art history of the highest originality and distinction."--Arthur C. Danto, New York Times Book Review


  • Sales Rank: #2015987 in Books
  • Published on: 1996-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.64" h x 7.36" w x 10.31" l, 4.15 pounds
  • Binding: Hardcover
  • 676 pages

Amazon.com Review
Our current understanding of the paintings of Manet is so heavily filtered through the lens of Impressionism that in many ways, his contributions to art history have been obscured. Called the "first modernist," his paintings marked a break with the past and paved the way for what we've come to accept as modern art in the treatment of the canvas as a flat surface. But during his time, Manet's modernist innovations were the object of ridicule. "It's flat, it isn't modeled," said Courbet of the nude in the painting Olympia. "It's like the Queen of Hearts after a bath." In Manet's Modernism, Michael Fried has set out to see Manet as his contemporaries would have seen him and to gain a more accurate reading of Manet's place in history.

Review
... at once exciting, heroic and difficult ... It is art history of the highest originality and distinction. -- The New York Times Book Review, Arthur C. Danto

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19 of 23 people found the following review helpful.
Returning to the Cardinal Manet Resource: An Appreciation
By Grady Harp
Michael Fried published his magnum opus 'Manet's Modernism: or, The Face of Painting in the 1860s' in 1996, the compendium of three books, actually, that remain the most significant resource of the study of the much maligned painter Edouard Manet. In Manet's time he was essentially hidden in the rise of the more popular Impressionists, garnering criticism form his colleagues and critics alike for works that appeared to mannered, too posed, to unnaturally lighted. But fine author and historian Michael Fried introduces some new ideas about the painter that could just place him in the echelon of the first of the Modernists.

Fried 'suggests' that Manet's paintings were for the most part tableaus created in his studio from professional and non-professional models wearing costumes suggestive of the many allegories and historical events that Manet painted. That fact, in and of itself, does not venture Manet much further thatn say, Caravaggio et al, but it is the interplay between the subjects and the painter (and hence the observer) that Fried alls to our attention. The lighting of his paintings seem to have its source from the front as opposed to the back lighting or streams of side lighting usually chosen by other painters. And to make the controversy even more interesting, Fried suggests that this studio technique coupled with various observances of his models' features (eg. barefeet that suggest having worn contemporary type shoes) may - and the important word is 'may' - represent the uses of photography as the tool Manet used! Horrors! you say? But then by the time of the painting period of the 1860s that Fried is exploring, photography was well known and fairly widely used as a means of documenting history, battles, families etc. So why should an artist of Manet's importance not include this new tool in his painting paraphernalia?

It is an interesting concept and one that in today's widely used techniques among artists of not only using photographs to reference 'sittings' for later solo studio work but also to include photography in the canvases (witness Rauschenberg, etc) makes complete sense. Gone are the prejudices against photography as not being 'pure'. And it just may be that Manet, if he indeed used photographs in his painting preparation, is more important in the overall history of painting advancement than he has been regarded! A fascinating book (even at 676 pages) and a fine addition to the library. Grady Harp, January 07

5 of 5 people found the following review helpful.
History versus Criticism
By Conrad J. Obregon
It has been said that images of Edouard Manet marked the beginning of modern painting. The great art critic and art historian Michael Fried explores the work of Manet and several contemporaries.

The book opens with the republication of an earlier article by Fried in which he suggested that the sources of many of Manet's important works were in the art of earlier times and cultures and has a second chapter aimed at refuting the arguments against his thesis by other critics and historians. Fried concludes that Manet was trying to create some kind of universal art. To do so he refers to earlier pictures by artists from Rembrandt to Watteau which he maintains show the connections and derivations. In most case the similarity was usually as to the posing of certain figures in both Manet's and the earlier works. While quite interesting, I was unconvinced since there was no evidence directly from Manet of his intentions. Moreover, it seemed to me that if one looked enough through the bodies of works of the earlier artists, one would be bound to find similar poses.

In the third chapter, the author addresses many of Manet's contemporaries, including Millet, Fantin-Latour, Legros and Whistler. In this examination, Fried pays particular attention to a concern he has previously addressed, namely the opposition between absorption and theatricality. (To oversimplify, in images characterized by absorption, the subject appears not to be aware of his subjectness, while theatricality shows an awareness of the viewer.) In exploring the issue, Fried discusses the reactions of art critics of the time to the work of the artists, particularly their appraisal of the value of the images based upon their place on the absorption/theatricality continuum. The fourth chapter deals in the same way with Manet.

The fifth chapter is a strange one that deals primarily with self-portraits and the effect of the artist viewing himself in a mirror. There is a coda appended in which Fried summarizes what has gone before, and concludes that he is unable to have any final word on what Manet's goals were with respect to absorption and theatricality. There are several appendices in French and English with the comments of critics of the time and 168 pages of notes.

Fried is both a critic and historian, and this book illustrates the distinction. He is concerned about the history of the art without drawing conclusions as to the quality of the work of the artists, and other than describing technique, gives us little clue as to how to appreciate the works. Indeed, I sometimes felt that he didn't particularly care for the work of Manet and his contemporaries. For those who believe that art is a way to understand the culture and times in which the art is created this book will be interesting. On the other hand those who believe that the purpose of art is to transform our vision of the world will find less help in using Manet as an agent of transformation.

0 of 1 people found the following review helpful.
If you want to understand the claim that, in ...
By Gordon G. Young
If you want to understand the claim that, in some senses, Manet was the first modernist painter, you must read this book. Note: it is complex, but well worth it.

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Minggu, 19 Agustus 2012

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Human Communication in Society , by Alberts, Nakayama, & Martin (1st, First Edition), by Jess K. Alberts / Thomas K. Nakayama / Judith N. Ma

  • Sales Rank: #3207308 in Books
  • Published on: 2006
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
For a class
By Alyssa
I got this book last year for a class at Toledo and I didn't use it that much. For me it was a waste of money for the class, but the seller got it to me very safely and for an excellent price! Don't buy this version unless you have to. Same material...

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Senin, 13 Agustus 2012

[O383.Ebook] Download Ebook Raspberry Pi Home Automation Blueprints, by Remi Sarrailh

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Raspberry Pi Home Automation Blueprints, by Remi Sarrailh

Raspberry Pi Home Automation Blueprints, by Remi Sarrailh



Raspberry Pi Home Automation Blueprints, by Remi Sarrailh

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Raspberry Pi Home Automation Blueprints, by Remi Sarrailh

This book is an easy-to-follow guide, with practical examples in each chapter.
Each topic gives you a fast and easy way to develop certain applications while also explaining how to go further and troubleshoot various issues.
If you want to learn how a home automation solution works, or learn how to make Internet connected objects without buying costly hardware, this book is for you.
It s assumed that you have some basic experience with Raspberry Pi / Raspbian, Arduino C, and Python.

  • Sales Rank: #8707820 in Books
  • Published on: 2016-05-02
  • Binding: Paperback
  • 360 pages

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