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Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3)
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Are you finally committed to writing that novel or screenplay, but have no idea how to get started? Or are you a published author, but know you need some plotting help to move your books and career up to that next level?
You CAN write better books and scripts--by learning from the movies. Screenwriting is based on a simple (and powerful) structure that you already know from watching so many movies and television shows in your lifetime. And it's a structure that your reader or audience unconsciously expects, and is crucial for you to deliver.
In this textbook of the internationally acclaimed SCREENWRITING TRICKS FOR AUTHORS workshop, award-winning author/screenwriter Alexandra Sokoloff will show you how to jump-start your plot and bring your characters and scenes vibrantly alive on the page by watching your favorite movies and learning from the storytelling tricks of great filmmakers:
* The High Concept Premise
* The Three-Act, Eight-Sequence Structure
* The Storyboard Grid
* The Index Card Method of Plotting
* The Setpiece Scene
* Techniques of film pacing and suspense, character arc and drive, visual storytelling, and building image systems.
Based on the internationally acclaimed Screenwriting Tricks for Authors workshops and blog, this new print edition incorporates all the basic information from the first Screenwriting Tricks for Authors workbook and doubles the material, including ten full story breakdowns. The textbook-quality edition is 8 x 10 inches and lies open flat for easy highlighting and note-taking.
For information on books, workshops, and free Story Structure extras, go to ScreenwritingTricks.com
REVIEWS:
"Alex Sokoloff's STEALING HOLLYWOOD is the owner's manual that belongs in every writer's toolkit. Alex dissects the elements of story-telling with clarity, wit and wisdom. Don't thank me--buy the damn book!"
--Mary Kay Andrews, New York Times bestselling author of Ladies' Night and Summer Rental
"I'd already written fifteen novels by the time I met Alex and discovered her unique approach to structuring fiction. She changed my entire writing process for the better. I couldn't live without my three-act storyboard! Alex is a gifted and generous teacher and author, and STEALING HOLLYWOOD is a must-have book for new and seasoned writers alike."
--International bestselling author Diane Chamberlain
"Sokoloff's advice is spot-on, and her teaching style is direct and effective. A must-have book for authors and screenwriters."
--JA Konrath, bestselling author of A Newbie's Guide To Publishing
"Whether you're an old pro or an apprehensive beginner, Alex Sokoloff offers a sensible nuts-and-bolts approach that puts you in control of your material."
--Margaret Maron, Edgar®, Agatha, Anthony & Macavity Award-winning author of the Deborah Knott mysteries
"Sokoloff is a generous mentor with the gifted ability to address a storyteller's practical concerns while encouraging artistic integrity and every author's unique voice. Only three of my half dozen novels have been written with her unwitting guidance, but I can guarantee that with this book at my fingertips, all my future work--and my reading audience--will benefit from her advice. Recommended without reservation."
--Vicki Pettersson, bestselling author of the Sign of the Zodiac series
- Sales Rank: #176294 in Books
- Published on: 2015-08-07
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .91" w x 8.00" l, 1.76 pounds
- Binding: Paperback
- 404 pages
Review
"STEALING HOLLYWOOD is the owner's manual that belongs in every writer's toolkit. Alex dissects the elements of story-telling with clarity, wit and wisdom."
--Mary Kay Andrews, New York Times bestselling author
"Alex's unique approach to structuring fiction changed my entire writing process for the better. STEALING HOLLYWOOD is a must-have book for new and seasoned writers alike."
--International bestselling author Diane Chamberlain
"A must-have book for authors and screenwriters."
--JA Konrath, bestselling author of A Newbie's Guide To Publishing
From the Author
Table of Contents
Introduction
PART ONE: STORY STRUCTURE
1. The Master List
2. What's Your Premise?
3. First, You Need An Idea
4. What KIND of Story is It?
5. The Three-Act, Eight-Sequence Structure
6. The Index Card Method and Structure Grid
7. Elements of Act One
8. Hero/ine, Protagonist, Main Character
9. Protagonist Case Study: Jake Gittes
10. What Makes A Great Villain?
11. Villains, Part 2: The Forces of Antagonism
12. Act Two: What's the PLAN?
13. Elements of Act Two, Part 1
14. Elements of Act Two, Part 2
15. Elements of Act Three
16. What Makes A Great Climax?
17. Story Elements Checklist
18. Narrative Structure Beat Sheet
19. Act Climaxes Breakdowns and Examples
20. A Process for Writing
21. Story Elements: Questions and Prompts
PART TWO: MORE SCREENWRITING TRICKS
22. Visual Storytelling
23. Visual and Thematic Image Systems
24. Expanding on Key Story Elements
25. Lessons from Musical Theater
26. Love Story Elements
27. Story Elements: Other Genres
28. Fairy Tale Structure
29. Meta Structure
30. What is "High Concept"?
31. Voice
32. First Chapters
33. Creating Suspense
34. Plants and Payoffs
35. The Big Twist
36. Act and Sequence Bridges
37. The Rule of Three
38. Character Introductions
39. Using Character Clusters
40. Your First Draft is Always Going to Suck
41. Top Ten Things I Know About Editing
PART THREE: STORY BREAKDOWNS
42. Harry Potter and the Sorcerer's Stone
43. Romancing the Stone
44. Chinatown
45. Groundhog Day
46. The Matrix
47. Sense and Sensibility
48. Sea of Love
49. The Mist
50. The Wizard of Oz
51. Four Weddings and a Funeral
PART FOUR: THE BUSINESS
51. How Do I Get A Literary Agent?
52. What about Indie Publishing?
53. So You Want to Know About Screenwriting
54. Life is a Pitch Meeting
55. Recommended Reading
56. Professional Author Organizations
About the Author
Alexandra Sokoloff is the Thriller Award-winning and Bram Stoker, Anthony, and Black Quill award-nominated author of eleven supernatural, paranormal and crime thrillers, including the Thriller Award-nominated Huntress/FBI series (Huntress Moon, Blood Moon, Cold Moon, Wolf Moon). The New York Times Book Review has called her a "daughter of Mary Shelley," and her books "Some of the most original and freshly unnerving work in the genre."
As a screenwriter Alex has sold original scripts and adapted novels for numerous Hollywood studios, for producers such as David Heyman, Laura Ziskin, Michael Bay and Neal Moritz. She has served on the Board of Directors of the Writers Guild of America, west, and on the Board of the Mystery Writers of America, and is the founder of WriterAction.com, an online community and resource center for professional screenwriters. She has taught story structure at Otis College in Los Angeles, and is the author of the writing workbooks Stealing Hollywood, Screenwriting Tricks for Authors and Writing Love, based on her internationally acclaimed story structure workshops and blog: screenwritingtricks.com.
She lives in Los Angeles and Scotland. When she's not writing or transatlantically commuting, she performs with Heather Graham's Slushpile Players, and dances like a fiend. And she always loves talking to readers and writers! You can find her here:
Website: alexandrasokoloff.com
Facebook: facebook.com/alexandra.sokoloff
Twitter: @AlexSokoloff
Goodreads: goodreads.com/author/show/552457.Alexandra_Sokoloff
For information on books, workshops, and free Story Structure extras, go to ScreenwritingTricks.com
Most helpful customer reviews
3 of 3 people found the following review helpful.
Best Book on Writing I've Ever Purchased!
By Vaunzilla
I was lucky enough to take Alexandra's class at WTWA in Canyon, TX. Admittedly I was nervous about it because I considered myself to be a pantster not a plotter. In class I even went so far as to announce that I might only listen without applying the methods helpfully outlined in her book. So not the case. I plotted a whole book from scratch in four days. Not only that, but I went back to my WIP, which had reached the soggy middle and reworked it with her structure method. Guess what? My WIP is no longer my WIP because I'm done with it. You can use as much or as little of Alexandra's technique as you like. It's a guide and a different perspective that helps you think your way through with intelligence and intent. You want this book!
3 of 3 people found the following review helpful.
Should be on every author's shelf!
By Kimberly Walton
The idea of plotting used to leave me crying in the fetal position. But this great, insightful book turned that around with a kind, encouraging voice and tips that makes even those most fervent pantster feel at ease with a plot board. This book is going to be my go-to for many stories to come!
2 of 2 people found the following review helpful.
At last: In hard copy format
By A book-reader's wife
This is the long-awaited updated, hard-copy edition of one of two supplements used in Alex's West Texas A&M summer class. A fantastic value, especially in the age of $150+ textbooks. Alex thoroughly explains the craft of plotting, including a LOT of movie analyses. She's a master and a very nice person. Anybody who's serious about writing fiction, or narrative non-fiction, needs this book. Also, if you're super-serious, her West Texas A&M class is phenomenal. She's a knowledge powerhouse, the kind of person you just want to follow around with a tape recorder because she's constantly offering some tidbit of important information about plotting, genres, archetypes and the like. She gives personal attention to each of her 15 students' plots and walks them through from opening sequence to final denouement. I took her class three times and still could take it again because her well is so deep. Also check out Writing Love, which has other movie plot analyses but, alas, is not yet in hard copy format.
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